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If this movie could have a tagline, it would be "Fuck Winter."
Except not, because this is a Disney film. Despite being gnawed up and spat out by committee very obviously, Frozen manages to hold its own and become a very solid film overall despite its numerous obvious flaws.
Anyone who does a little digging knows how much a Disney film changes from it's first idea to the final product. Frozen is based off of a fairy tale called The Snow Queen and the original concept art had it much darker and probably a few shades more intelligent than what it turned into later. It sacrificed quite a bit of the story and the plot is very bare bones, much to the chagrin of literature lovers everywhere. It's also very rushed and several things that should have been key elements (the magic trolls, the bad guy) seem like they were included last minute for no real reason and the plot could have advanced without them, or with simpler contrivances in their place. Some of the characters seem to exist only for the sake of a single song. Which is fine, because the sound track carries the film. I foresee a very nice, tidy Broadway run for this adaptation that will rake in a hefty sum and sell out for months.
And of course, there's the part everyone was dreading since the teaser trailer came out: The snowman. Olaf the snowman is one of the least logical and least visually appealing characters to grace a silver screen, and out of all the conventionally attractive and cute things at work here he seemed like the least likely candidate for "the face you want to advertise your movie with." To their credit, although Olaf was obviously shoe-horned in to sell toys and be cute, he's a very quiet and subdued character that actually ends up being one of the least annoying things about the film. Doubly so when you consider that the other characters are aware of how creepy looking he is and react realistically to that fact. I can also appreciate the desire to have a non-conventionally pretty character in a movie ruled mostly by Broadway stars and Barbie dolls.
Despite how much it was whittled down and despite its obviously rushed parts here and there, though the film did trim quite a bit of story, it made up for this in character. It was full of emotion, and it felt its emotions fully. It was incredibly expressive and very, very pretty. It was one of those musicals that, although hokey and cornier than corn pudding, sang its sweet little heart out and ended up being a remarkably cathartic and warm film, despite its icy theme. I was really gearing up to hate this movie after all the craptacular advertising it got but after watching it I can't bring myself to hate it no matter how much I can find wrong with it because it believed in itself too fucking hard. Corporate packaging did its best to ruin it but its honest center, focused on the characters and their development and emotions, managed to rescue it from the stupid, and it ended up being possibly the best animated film this year. If not for technical reasons, because it was the most memorable.
It's up for a few Oscar nominations for original song, and I wouldn't mind one bit if it got one. Being trapped here in what amounts to be frozen tundra, myself, at least now I have some catchy ass tunes to sing while I scrape the beautiful crystalline ice fractals off my fucking windshield every morning.
Except not, because this is a Disney film. Despite being gnawed up and spat out by committee very obviously, Frozen manages to hold its own and become a very solid film overall despite its numerous obvious flaws.
Anyone who does a little digging knows how much a Disney film changes from it's first idea to the final product. Frozen is based off of a fairy tale called The Snow Queen and the original concept art had it much darker and probably a few shades more intelligent than what it turned into later. It sacrificed quite a bit of the story and the plot is very bare bones, much to the chagrin of literature lovers everywhere. It's also very rushed and several things that should have been key elements (the magic trolls, the bad guy) seem like they were included last minute for no real reason and the plot could have advanced without them, or with simpler contrivances in their place. Some of the characters seem to exist only for the sake of a single song. Which is fine, because the sound track carries the film. I foresee a very nice, tidy Broadway run for this adaptation that will rake in a hefty sum and sell out for months.
And of course, there's the part everyone was dreading since the teaser trailer came out: The snowman. Olaf the snowman is one of the least logical and least visually appealing characters to grace a silver screen, and out of all the conventionally attractive and cute things at work here he seemed like the least likely candidate for "the face you want to advertise your movie with." To their credit, although Olaf was obviously shoe-horned in to sell toys and be cute, he's a very quiet and subdued character that actually ends up being one of the least annoying things about the film. Doubly so when you consider that the other characters are aware of how creepy looking he is and react realistically to that fact. I can also appreciate the desire to have a non-conventionally pretty character in a movie ruled mostly by Broadway stars and Barbie dolls.
Despite how much it was whittled down and despite its obviously rushed parts here and there, though the film did trim quite a bit of story, it made up for this in character. It was full of emotion, and it felt its emotions fully. It was incredibly expressive and very, very pretty. It was one of those musicals that, although hokey and cornier than corn pudding, sang its sweet little heart out and ended up being a remarkably cathartic and warm film, despite its icy theme. I was really gearing up to hate this movie after all the craptacular advertising it got but after watching it I can't bring myself to hate it no matter how much I can find wrong with it because it believed in itself too fucking hard. Corporate packaging did its best to ruin it but its honest center, focused on the characters and their development and emotions, managed to rescue it from the stupid, and it ended up being possibly the best animated film this year. If not for technical reasons, because it was the most memorable.
It's up for a few Oscar nominations for original song, and I wouldn't mind one bit if it got one. Being trapped here in what amounts to be frozen tundra, myself, at least now I have some catchy ass tunes to sing while I scrape the beautiful crystalline ice fractals off my fucking windshield every morning.
Book of Life (Libro de la Vida)
Finally got the opportunity to watch this movie after being super stoked for it since the trailers came out. Without spoiling anything, I’ll go ahead and tell you this much: The entire thing happened because two gods, bored and unsatisfied with their marriage, decided they’d make a bet on a bunch of little kids.
The thing about gods in this movie though, they’re pretty much the same as gods the world over. That is, they don’t much give a care about humans and their lives or plans, and have no qualms what so ever about giving great gifts and powers to small children and placing bets on the outcome of their lives- even
Boxtrolls
It's very seldom you see a film go out of its way to make so many of its characters visually unappealing and still have them command themselves with an unmistakable air of charisma. Even though the characters lovingly display each little greasy hair or smear of dirt, there are many of them you could stand to hug- even if you can almost smell the cheese on them.
Our story takes place in a town called Cheeseridge, a little dairy-centric town that's full of delicious puns and scary looking monsters called Boxtrolls. The boxtrolls live in a commune underground and come out at night to scavenge for trash and spare parts, which they use to create
Maleficent
Before I saw the movie I was bombarded by people saying how good it was because of apparent "feminist undertones" and something to do with a 'rape analogy' for a fairy losing her wings. Well as it turns out, all the rape in the world, analogy or otherwise, probably couldn't make this movie any more interesting. There are perhaps one or two truly emotional moments but most of the performances (except for the mentally unwell obsessive old king) fell rather flat.
First, we have Maleficent's kingdom full of painfully saccharine CGI monsters and landscapes that the actors have a hard time realistically reacting to (protip, you can't really replac
Godzilla
This was a movie I was genuinely interested in seeing. It was also a movie I had no idea what to expect from. I get the feeling that it wanted to be a very formal and stylized, rather subdued action movie but it also wanted a lot of the fun that came with blockbusters like Pacific Rim or Transformers and it didn't quite get the formula mixed exactly how it should have been to take it from "interesting but mostly just ok" movie into the realm of "good film."
The film begins nicely enough with the only white American family on a Japanese island. Well, actually the film begins with this kickass scene of some scientists uncovering a gigantic fos
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Comments21
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I liked it, was pleasantly surprised with Olaf actually I thought he would be annoying as fuck. Elsa's song was my favorite part, puts a huge smile on my face when I hear it. But yeah I wish the relationship between the sisters was emphasized more than it was, probs my biggest complaint.